Showing posts with label objekt. Show all posts
Showing posts with label objekt. Show all posts

Thursday, November 22, 2018

video review: 'cocoon crush' by objekt

Well, this took a bit longer than I was expecting - but it was great enough to avoid the Trailing Edge, and I just hope it picks up some traffic.

Next up... hmm, looks like it's going to be another blast from my reviews past, so stay tuned...

album review: 'cocoon crush' by objekt

Let's be honest, the vast majority of you don't remember when I reviewed Objekt last time. It's one of my least-viewed reviews - and considering how rarely I cover electronic music, that is saying something - and Objekt is obscure even by those standards, a German artist with the real name TJ Hertz that I found going through a Pitchfork deep dive. And given that my exposure to electronic music has been somewhat backwards in comparison with how one is 'supposed' to experience a genre - I started in the experimental stuff and worked my way towards conventionality - I still find it a bit surprising how much I wound up liking that debut. I'd struggle to call it great - Objekt might have an uncanny grasp of balancing out industrial malfunction with ambient tendencies but he tended to avoid a melodic core, which made engagement with his work tricky - but it was a fascinating listen and one that I did find myself revisiting whenever I was craving some darker techno.

So to hear buzz about Cocoon Crush, Objekt's follow-up this year, which was reportedly changing tactics for a more organic sound palette that was richer in melody... look, it's not like there wasn't precedent for this. The mechanical elements of Flatland always had the sparking warmth of metal that had experienced use, only further accentuated by the ghostly atmospherics, so I had reason to believe this could be a potent step in the right direction. So, what did we get with Cocoon Crush?

Friday, October 31, 2014

album review: 'flatland' by objekt

Well, I didn't expect I'd manage to get this done before heading out, but what do you know?

Okay, next up... hell, not sure, depends which backlog I break through first. Stay tuned!

album review: 'flatland' by objekt

We return to my ongoing adventure into electronic music. 

Now one of the biggest conversations of this year has surrounded where electronic music is going. The EDM scene is officially mainstream, hip-hop producers are pushing boundaries for weirder and more experimental beats, often drawing upon the ground many electronic producers helped level, and some of the legends of the industry have taken steps to crystallize their own sound. Aphex Twin returned after years of working under other names to the sounds he helped define, Brian Eno worked with Karl Hyde on two wildly different records, and across the industry we've seen producers either drift towards modern popular trends or drag the mainstream kicking and screaming into all sorts of weirdness. For me as something of an outsider to the genre, it's been fascinating to watch, even if I'm not sure how long it will remain popular in the long term.

So I figured I'd dip back into that wretched hive of scum and villainy - and by that I mean Pitchfork - and find a record to really challenge myself, and that's where I came across Objekt. Stage name of German producer TJ Hertz, he began making serious buzz when he started releasing singles around 2011, not so much renowned for melodic construction but for phenomenal mix balance, depth, and texture. And what immediately gripped me by singles like 'Tinderbox' was the sense of contrast: there was a warmth to the crackle of the mix and the percussion that belied the echoing chilly synthesizer leads and samples and the thick swell of the bass. It felt organic and yet almost clinically measured, and it was compelling enough that I had to check out his debut album Flatland. What did we get?